Litro, May 16, 2014.
Sam Mendes’ totalitarian King Lear has been holding a terrible, gory court at the National Theatre since January; a mic away on Sunday, Southwark Playhouse hosted SALT Theatre’s irreverent spins on Shakespeare’s grimmest tragedy themselves. Their Write at the Heart series seeks the alchemy that transforms a classic play into a new one, a Shakespeare into a Stoppard, and while there are no Rosencrantzes and Guildensterns here, the six playlets at this development night all found compelling tangents to Lear to explore. It was all staged on the bleak, post-apocalyptic rubble of a stripped down rendition of Dennis Kelly’s Debris and somehow it works. The debris field stage left was an unsettling obstacle for the actors to overcome, a material echo of the catastrophe of their relationships. It worked as well in a military camp as it did in a hospital waiting room, a McDonald’s, and a family kitchen.
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